{"id":14470,"date":"2009-09-09T12:35:34","date_gmt":"2009-09-09T09:35:34","guid":{"rendered":"http:\/\/www.korhanyilmaz.com\/?p=14470"},"modified":"2026-01-20T08:42:18","modified_gmt":"2026-01-20T05:42:18","slug":"sen-bir-dehaydin-hic-kirlenmedin","status":"publish","type":"post","link":"http:\/\/www.korhanyilmaz.com\/?p=14470","title":{"rendered":"‘Sen bir dehayd\u0131n, hi\u00e7 kirlenmedin’"},"content":{"rendered":"
\"\"<\/a>

Y\u0131lmaz G\u00fcney<\/p><\/div>\n

Y\u0131lmaz G\u00fcney… 25 y\u0131l \u00f6nce bug\u00fcn Paris’te hayat\u0131n\u0131 kaybeden usta sanat\u00e7\u0131 hala T\u00fcrk sinemas\u0131n\u0131n doruk noktas\u0131 kabul ediliyor. \u0130\u015fte G\u00fcney’in hayat\u0131ndan anekdotlar, \u00f6nemli filmleri ve Fato\u015f G\u00fcney’in 25 y\u0131l sonra yazd\u0131\u011f\u0131 mektup…<\/p>\n

\u0130STANBUL – Meksika’da bir adam hayat\u0131 hakk\u0131nda ne yapaca\u011f\u0131na karar vermemi\u015fken, bir g\u00fcn bir film izler ve y\u00f6netmen olmaya karar verir. O adam ‘Amores Perros\/ Parampar\u00e7a, A\u015fklar ve K\u00f6pekler’, ’21 Gram’ ve ‘Babel’ gibi filmlerin y\u00f6netmeni Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu, izledi\u011fi film ise ‘Yol’.<\/p>\n

T\u00fcrkiye’de yeti\u015fmi\u015f en b\u00fcy\u00fck isimlerden Y\u0131lmaz G\u00fcney’in bug\u00fcn 25. \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc. Hayat\u0131n\u0131n \u00f6nemli y\u0131llar\u0131n\u0131 cezaevinde ve s\u00fcrg\u00fcnde ge\u00e7irmesine ra\u011fmen \u00fcretmeye devam eden G\u00fcney hayata Paris’te veda etmi\u015fti. G\u00fcney, d\u00fcnyan\u0131n \u00f6nemli ele\u015ftirmenlerine, sinemac\u0131lar\u0131na T\u00fcrk sinemas\u0131n\u0131 tan\u0131tan isim olmas\u0131na ra\u011fmen y\u0131llarca \u00fclkesinde yasakl\u0131 bir isim olarak kalm\u0131\u015ft\u0131. G\u00fcney \u00fclkesini \u00e7ok \u00f6zledi\u011fini ve her zaman daha g\u00fczel bir \u00fclke g\u00f6rmek istedi\u011fini dile getirse de \u00fclkesine geri d\u00f6nemedi. <\/p>\n

”Ben de kalmaya gelmedim buraya. Bir g\u00fcn mutlaka d\u00f6nece\u011fim. Sen de d\u00f6n. Bil ki \u00fclkende \u00e7ekece\u011fin en k\u00f6t\u00fc film, burada yapaca\u011f\u0131n ba\u015fyap\u0131ta ye\u011fdir. G\u00fcle g\u00fcle…” (G\u00fcney’in Paris’te kar\u015f\u0131la\u015ft\u0131\u011f\u0131 Yavuzer \u00c7etinkaya ile konu\u015fmas\u0131ndan, Agah \u00d6zg\u00fc\u00e7, B\u00fct\u00fcn Filmleriyle Y\u0131lmaz G\u00fcney)<\/p>\n

Beyazperdenin \u00c7irkin Kral’\u0131 avent\u00fcr filmlerle ba\u015flad\u0131\u011f\u0131 kariyerini T\u00fcrk sinemas\u0131n\u0131n en \u00f6nemli y\u00f6netmenlerinden biri olarak tamamlad\u0131. Kimi \u00e7evrelerce g\u00f6rmezden gelinen G\u00fcney, siyasi g\u00f6r\u00fc\u015fleriyle nedeniyle yasaklansa da, senaryosunu yazd\u0131\u011f\u0131 ve y\u00f6netti\u011fi filmlerle d\u00fcnyan\u0131n tan\u0131d\u0131\u011f\u0131 bir isim oldu.<\/p>\n

\u00d6zellikle senaryosunu yazd\u0131\u011f\u0131 ‘S\u00fcr\u00fc’, ‘Yol’, ‘D\u00fc\u015fman’ ve y\u00f6netti\u011fi ‘Arkada\u015f’, ‘Umut’, ‘A\u011f\u0131t’, ‘Ac\u0131’ gibi filmlerle T\u00fcrk sinemas\u0131na damga vuran G\u00fcney, yeti\u015ftirdi\u011fi sinemac\u0131lar\u0131n yan\u0131nda bir\u00e7ok y\u00f6netmeni de derinden etkiledi ve etkilemeye de devam ediyor.<\/p>\n

”Kar fikri yerini ger\u00e7ekli\u011fe b\u0131rakt\u0131\u011f\u0131 g\u00fcn ba\u015far\u0131 m\u00fcmk\u00fcn olur. Sinema, olay\u0131 bir foto\u011fraf makinesi gibi aktard\u0131\u011f\u0131, abartmaya kaymad\u0131\u011f\u0131 zaman etkisini kabul ettirebilir…” (\u015eakir \u00d6zbek ve Ahmet Aky\u0131ld\u0131z’\u0131n ‘Y\u0131lmaz G\u00fcney’le Cezaevinde Konu\u015ftuk’ ba\u015fl\u0131kl\u0131 s\u00f6yle\u015fisinden)<\/p>\n

Wim Wenders ‘Chambre666\/ 666 Numaral\u0131 Oda’ adl\u0131 k\u0131sa filminde Y\u0131lmaz G\u00fcney’in de i\u00e7inde oldu\u011fu Jean-Luc Godard, R.W. Fassbinder, Steven Spielberg gibi d\u00fcnyaca \u00fcnl\u00fc y\u00f6netmenlere \u015fu soruyu sorar: Sinema giderek \u00f6l\u00fc bir dil, \u015fimdiden d\u00fc\u015f\u00fc\u015fe ge\u00e7mi\u015f bir sanat haline mi geliyor? G\u00fcney \u015fu cevab\u0131 verir: ”(…) Gen\u00e7 bie sinemac\u0131, kapitalist yap\u0131mc\u0131larla \u00e7al\u0131\u015fmaya ba\u015flad\u0131\u011f\u0131 anda ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131 elinden al\u0131n\u0131r. Ona belli parametreler verilir ve umut vaad etmeyi s\u00fcrd\u00fcrmek yerine, sineman\u0131n d\u00fc\u015f\u00fc\u015f\u00fcn\u00fcn bir par\u00e7as\u0131 haline gelir. Trajedi i\u015fte buradad\u0131r; sanat\u00e7\u0131n\u0131n ve sineman\u0131n trajedisi.”<\/p>\n

1959 y\u0131l\u0131nda At\u0131f Y\u0131lmaz’\u0131n yan\u0131nda ba\u015flad\u0131\u011f\u0131 sinema kariyerini T\u00fcrk sinemas\u0131n\u0131n doruklar\u0131ndan say\u0131lan ‘Yol’la Cannes Film Festivali’nde Alt\u0131n Palmiye alarak zirveye ta\u015f\u0131d\u0131. T\u00fcrkiye’nin en b\u00fcy\u00fck ba\u015far\u0131lar\u0131ndan say\u0131lan bu \u00f6d\u00fcl\u00fcn ard\u0131ndan G\u00fcney 1983 y\u0131l\u0131nda vatanda\u015fl\u0131ktan \u00e7\u0131kar\u0131ld\u0131. 1984’te ‘vatans\u0131z Y\u0131lmaz G\u00fcney’ mide kanserinden hayat\u0131n\u0131 kaybetti.<\/p>\n

\"\"<\/a><\/p>\n

”\u00d6ylesine sanc\u0131l\u0131, s\u0131k\u0131nt\u0131l\u0131 g\u00fcnler ya\u015f\u0131yorum ki, kimi zaman d\u00fc\u015f\u00fcncelerim kayg\u0131 verici boyutlara ula\u015f\u0131yor. Bir yandan senaryonun haz\u0131rlanmas\u0131 bir yandan pratik sorunlar, di\u011fer yandan fa\u015fistlerin yeni \u015fikayet dilek\u00e7eleri sonucu adaya yeniden m\u00fcfetti\u015flerin geli\u015fi, film arefesinin tela\u015f\u0131… Ah… yarat\u0131c\u0131 yetene\u011fimi bir kez olsun bu denli k\u0131s\u0131tlay\u0131c\u0131 ve kahredici olaylar\u0131n d\u0131\u015f\u0131nda kullanabilseydim… Hi\u00e7 kullanamad\u0131m… Hep eksikliklerimizle yetinmek, eksikliklerimize boyun e\u011fmek zorunda kald\u0131k…” (Nihat Behram, Y\u0131lmaz G\u00fcney’le Yasakl\u0131 Y\u0131llar)<\/p>\n

Avrupa ve Amerikan sinemas\u0131n\u0131n \u00f6nemli isimlerinin tan\u0131d\u0131\u011f\u0131 usta y\u00f6netmeninin ba\u015fyap\u0131tlar\u0131ndan ‘Yol’ kendi \u00fclkesinde ancak 1998 y\u0131l\u0131nda g\u00f6sterime girebildi.<\/p>\n

”G\u00fcney’in yap\u0131tlar\u0131na bak\u0131ld\u0131\u011f\u0131nda onun bir ‘Auteur-sinemac\u0131’ oldu\u011fu g\u00f6r\u00fcl\u00fcr. Her zaman ‘auteur sinemas\u0131’ yapm\u0131\u015ft\u0131r. Bu da asl\u0131nda \u00fclkesi i\u00e7in harika bir vitrindir. Tabii sanat bir \u00fclkenin yaln\u0131zca iyi y\u00f6nlerini g\u00f6stermez, her\u015feyi s\u00f6yleyebilmelidir. Bir \u00fclke ancak b\u00f6yle sevilir. (…) Biz do\u011fu \u00fclkeleri, eskiden \u00fclkemizi \u015fiir ve \u015fark\u0131yla anlatt\u0131k. Bu g\u00f6r\u00fcnt\u00fc \u00e7a\u011f\u0131nda, o da bunu filmleriyle yapt\u0131.” (Costa Gavras, Express, s. 17)<\/p>\n

Milliyet Sanat dergisi de Eyl\u00fcl say\u0131s\u0131nda ‘Aziz De\u011fil Sanat\u00e7\u0131 Y\u0131lmaz G\u00fcney’ ba\u015fl\u0131\u011f\u0131yla usta sant\u00e7\u0131y\u0131 kapa\u011fa ta\u015f\u0131d\u0131 ve Y\u0131lmaz G\u00fcney’in 1969 y\u0131l\u0131nda Mu\u015f’ta askerli\u011fini yaparken, o zamanlar hen\u00fcz evlenmedi\u011fi Fato\u015f G\u00fcney’e yazd\u0131\u011f\u0131 mektubu ve Fato\u015f G\u00fcney’in 25 y\u0131l\u0131n ard\u0131ndan e\u015fine yazd\u0131\u011f\u0131 mektuba yer verdi.<\/p>\n

\"\"<\/a><\/p>\n

”(…) Sen g\u00fczel \u015feyler d\u00fc\u015f\u00fcn\u00fcyorsun. Biliyorum. Ben \u00e7ok \u015feyler d\u00fc\u015f\u00fcn\u00fcyorum. Ama ilk bak\u0131\u015fta g\u00fczel de\u011fil, sonra g\u00fczelle\u015fiyorlar. Ev d\u00fc\u015f\u00fcn\u00fcyorum, b\u00fcy\u00fck bir i\u015f d\u00fc\u015f\u00fcn\u00fcyorum, d\u00fcnya \u00e7ap\u0131nda b\u00fcy\u00fck filmler yapmay\u0131 d\u00fc\u015f\u00fcn\u00fcyorum, \u00e7areler d\u00fc\u015f\u00fcn\u00fcyorum, seni d\u00fc\u015f\u00fcn\u00fcyorum. Bunlar\u0131n hepsini terhisten sonraki be\u015f y\u0131l i\u00e7erisinde ger\u00e7ekle\u015ftirece\u011fim. Senin pay\u0131n b\u00fcy\u00fck olacak muhakkak. Her\u015feyimi sen y\u00f6neteceksin, beni bile…” (Y\u0131lmaz G\u00fcney’in mektubundan)<\/p>\n

\"\"<\/a><\/p>\n

”(…) Evet al\u00e7akg\u00f6n\u00fcll\u00fc olmak gereksiz. Sen bir dehayd\u0131n. Pek \u00e7ok kimse bunu bilmez, pek de \u00f6nemsemez. Kimilerinin g\u00fcndemlerinde kin kusan kalmeleri, sansasyonel haberleri, reytingli programlar\u0131 vard\u0131r. Oysa senin, o d\u00f6nemin tekni\u011fiyle ilkel ko\u015fullarda binbir yokluk, zorluk ve sans\u00fcr engeline kar\u015f\u0131n ger\u00e7ekle\u015ftirdi\u011fin o ba\u015fyap\u0131tlar\u0131n hepsi mucizedir.<\/p>\n

(…) Bug\u00fcn ya\u015fasayd\u0131n \u00fclke sorunlar\u0131n\u0131n hepsinde s\u00f6z sahibi olurdun. Belki kimseyi dinlemezlerdi bir\u00e7oklar\u0131 ama seni dinlerlerdi. Sen, \u00f6zg\u00fcrl\u00fcklerin , bar\u0131\u015f\u0131n, do\u011frulu\u011fun yan\u0131nda olurdun. Hep oldu\u011fun gibi. Sen ‘Umut’un \u00e7aresiz faytoncusu Cabbar… Sen y\u00fcre\u011fi bir \u00e7ocuk kadar yufka, bir \u00e7ocuk kadar saf ve temizdin. Hi\u00e7 kirlenmedin. (…)” (Fato\u015f G\u00fcney’in mektubundan)<\/p>\n

\u00d6NEML\u0130 F\u0130LMLER\u0130:<\/strong><\/p>\n

UMUT<\/strong><\/p>\n

T\u00fcrk Sinemas\u0131n\u0131n zirvelerinden biri olarak kabul edilen \u2018Umut\u2019 ayn\u0131 zamanda d\u00fcnya sinemas\u0131nda da yer etmi\u015f bir yap\u0131m. Ele\u015ftirmenlerin \u2018\u0130talyan Yeni Ger\u00e7ek\u00e7ilik\u2019 ak\u0131m\u0131na yak\u0131n g\u00f6rd\u00fc\u011f\u00fc film daha sonras\u0131nda G\u00fcney\u2019in y\u00f6netece\u011fi siyasal filmlerin de \u00f6nc\u00fcs\u00fc say\u0131l\u0131yor.<\/p>\n

\"\"<\/a>Senaristli\u011fini, y\u00f6netmenli\u011fini, yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 ve ba\u015frol oyunculu\u011funu Y\u0131lmaz G\u00fcney\u2019in yapt\u0131\u011f\u0131 filmin di\u011fer oyuncular\u0131 aras\u0131nda Tuncel Kurtiz, Osman Alyanak ve Enver D\u00f6nmez yer al\u0131yor. 2. Adana Alt\u0131n Koza Film Festivai\u2019nden En \u0130yi Film, En \u0130yi Y\u00f6netmen ve En \u0130yi Erkek Oyuncu \u00f6d\u00fclleri de dahil be\u015f \u00f6d\u00fclle d\u00f6nen film uluslararas\u0131 arenada da ba\u015far\u0131 sa\u011flad\u0131.<\/p>\n

A\u011eIT<\/strong><\/p>\n

1971 yap\u0131m\u0131 \u2018A\u011f\u0131t\u2019 Y\u0131lmaz G\u00fcney\u2019in hem senaryosunu yazd\u0131\u011f\u0131 hem de y\u00f6netti\u011fi filmlerinden. Adana Film Festivali\u2019nden d\u00f6rt \u00f6d\u00fclle d\u00f6nen film ayn\u0131 zamanda \u2018Ac\u0131\u2019 ve \u2018Umutsuzlar\u2019la beraber bir \u00fc\u00e7lemenin par\u00e7as\u0131. Venedik Film Festivali\u2019nde \u00f6n elemeyi kazan\u0131p 10 film aras\u0131na giren \u2018A\u011f\u0131t\u2019 zaman\u0131nda G\u00fcnay\u2019in \u00e7o\u011fu filmi gibi sans\u00fcre u\u011fram\u0131\u015ft\u0131.<\/p>\n

A\u00c7 KURTLAR<\/strong><\/p>\n

K\u00f6y\u00fcnde \u00f6\u011fretmenlik yapan Ser\u00e7e Memed\u2019in kar\u0131s\u0131n\u0131n e\u015fk\u0131yalar taraf\u0131ndan ka\u00e7\u0131r\u0131l\u0131p, \u00f6ld\u00fcr\u00fclmesinden sonra bir kanun ka\u00e7a\u011f\u0131na d\u00f6n\u00fc\u015fmesini anlatan filmde Y\u0131lmaz G\u00fcney y\u00f6netmenli\u011fi ile oldu\u011fu kadar oyunculu\u011fuyla be\u011fenilmi\u015fti. Film ayn\u0131 zamanda G\u00fcney\u2019in y\u00f6netmen olarak sinemas\u0131n\u0131 olgunla\u015ft\u0131rmaya ba\u015flad\u0131\u011f\u0131 ilk y\u0131llara ait olmas\u0131yla da \u00f6nem kazan\u0131yor.<\/p>\n

ZAVALLILAR<\/strong><\/p>\n

G\u00fcney\u2019in ba\u015flay\u0131p At\u0131f Y\u0131lmaz\u2019\u0131n bitirdi\u011fi \u2018Zavall\u0131lar\u2019 hayat\u0131 hapishanede ge\u00e7en \u00fc\u00e7 mahkumun hikayesini anlat\u0131r. 1975 yap\u0131m\u0131 film 12. Antalya Film Festivali\u2019nde \u2018En \u0130yi 3. Film\u2019 \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131.<\/p>\n

ARKADA\u015e<\/strong><\/p>\n

Y\u0131lmaz G\u00fcney\u2019in en bilinen filmlerinden \u2018Arkada\u015f\u2019 \u00f6\u011frencilik y\u0131llar\u0131ndan tan\u0131\u015fan iki arkada\u015f\u0131n y\u0131llar sonra kar\u015f\u0131la\u015fmas\u0131n\u0131 anlat\u0131yor. Cemil (Kerim Af\u015far) zengin olmu\u015f bir k\u0131y\u0131 kentinde bir kad\u0131nla evlenmi\u015ftir. Azem (Y\u0131lmaz G\u00fcney) ise arkada\u015f\u0131n\u0131n \u00e7arp\u0131k ya\u015fant\u0131s\u0131n\u0131 anlatmaya \u00e7al\u0131\u015f\u0131r. Bu s\u0131rada Cemil\u2019in e\u015finin karde\u015fi Melike (Melike Demira\u011f) Azem\u2019e a\u015f\u0131k olur. Filmin sonunda Cemil ger\u00e7ekle y\u00fczle\u015fmek zorunda kal\u0131r.<\/p>\n

\"\"<\/a><\/p>\n

\u2018Arkada\u015f\u2019\u0131 baz\u0131 \u00e7evreler fazla didaktik bularak\u2019 ele\u015ftirse de filmi \u2018toplumsal yan\u0131 \u00e7ok g\u00fc\u00e7l\u00fc olan ba\u015far\u0131l\u0131 bir dram\u2019 olarak g\u00f6renler de oldu. \u2018Arkada\u015f\u2019 Antalya Film Festivali\u2019nde \u2018En \u0130yi 2. Film\u2019 \u00f6d\u00fcl\u00fcn\u00fc alm\u0131\u015f, Sinametek taraf\u0131ndan da y\u0131l\u0131n en ba\u015far\u0131l\u0131 filmi se\u00e7ilmi\u015fti.<\/p>\n

”Her insan bu filmde kendini g\u00f6recek ve \u00fcrkecek. \u0130nsan\u0131 anlatan insan\u0131 tedirgin edecek sert yap\u0131y\u0131 olu\u015fturacak ‘Arkada\u015f’. Bizi var edecek olan bug\u00fcne dek yapt\u0131klar\u0131m\u0131z de\u011fil, bundan sonra yapacaklar\u0131m\u0131zd\u0131r.” (Y.G\u00fcney)<\/p>\n

S\u00dcR\u00dc<\/strong><\/p>\n

G\u00fcney\u2019in senaryosunu yazd\u0131\u011f\u0131 ama cezaevinde oldu\u011fu i\u00e7in y\u00f6netmenli\u011fini Zeki \u00d6kten\u2019in yapt\u0131\u011f\u0131 film \u2018T\u00fcrk Sinemas\u0131\u2019n\u0131n En \u0130yileri\u2019 listelerinin gediklisi oldu\u011fu gibi T\u00fcrkiye\u2019yi en iyi anlatan yap\u0131tlardan biri olarak da g\u00f6r\u00fcl\u00fcyor.<\/p>\n

\"\"<\/a><\/p>\n

Bir s\u00fcr\u00fcn\u00fcn Anadolu\u2019nun do\u011fusundan bat\u0131s\u0131na trenle ta\u015f\u0131nmas\u0131 \u00f6n plana al\u0131narak, Anadolu\u2019nun yoksullu\u011fu, \u00e7aresizli\u011fi ve o g\u00fcnlerin siyasal \u00e7eli\u015fkileri ve \u00e7at\u0131\u015fmalar\u0131, geleneklerin, kad\u0131n\u0131n toplumdaki yerinin anlat\u0131ld\u0131\u011f\u0131 \u2018S\u00fcr\u00fc\u2019 ayr\u0131ca uluslararas\u0131 festivallerde en fazla \u00f6d\u00fcl kazanan T\u00fcrk filmlerinin ba\u015f\u0131nda geliyor.<\/p>\n

YOL<\/strong><\/p>\n

Kimi kaynaklara g\u00f6re T\u00fcrk Sinemas\u0131\u2019n\u0131n en iyi filmi olarak g\u00f6r\u00fclen \u2018Yol\u2019 d\u00fcnyan\u0131n en b\u00fcy\u00fck festivali kabul edilen Cannes Film Festivali\u2019nde \u2018Alt\u0131n Palmiye\u2019 kazanan tek film olma \u00f6zelli\u011fini de koruyor.<\/p>\n

\"\"<\/a><\/p>\n

Y\u0131lmaz G\u00fcney taraf\u0131ndan yaz\u0131lan, ilk \u00f6nce \u2018Bayram\u2019 ad\u0131yla Erden K\u0131ral taraf\u0131ndan \u00e7ekilmeye ba\u015flanan \u2018Yol\u2019da, G\u00fcney\u2019in daha sonra Erden K\u0131ral\u2019dan al\u0131p \u015eerif G\u00f6ren\u2019e vermesiyle hikayede de ufak de\u011fi\u015fikliklere gidilmi\u015fti. 12 karakterin 5\u2019e indirilerek yeni bir ekiple \u00e7ekilen filmin ham g\u00f6r\u00fcnt\u00fcleri yurtd\u0131\u015f\u0131na ka\u00e7\u0131r\u0131larak Y\u0131lmaz G\u00fcney\u2019in de ba\u015f\u0131nda bulundu\u011fu bir ekip taraf\u0131ndan kurgulanm\u0131\u015ft\u0131.<\/p>\n

Film T\u00fcrkiye\u2019de yasakl\u0131 oldu\u011fu i\u00e7in ancak 18 y\u0131l sonra g\u00f6sterilebilmi\u015fti.<\/p>\n

DUVAR<\/strong><\/p>\n

1976\u2019da Ankara Kapal\u0131 Cezaevinde, G\u00fcney\u2019in de tan\u0131kl\u0131k etti\u011fi, \u00e7ocuklar ko\u011fu\u015funda \u00e7\u0131kan ve t\u00fcm cezaevine yay\u0131lan bir isyan konu edilmi\u015ftir. Bu olaydan derinden etkilenen Y\u0131lmaz G\u00fcney, isyan\u0131n arkas\u0131ndan g\u00f6nderildi\u011fi Kayseri Cezaevinde \u2018Soba, Pencere Cam\u0131 ve \u0130ki Ekmek \u0130stiyoruz\u2019 ismiyle bir roman yazm\u0131\u015f ve film yurt d\u0131\u015f\u0131na \u00e7\u0131k\u0131\u015f\u0131nda Fransa\u2019da bu roman \u00fczerinde kurulu senaryo ile \u00e7ekilmi\u015fti.<\/p>\n

\"\"<\/a><\/p>\n

Tuncel Kurtiz ve Ay\u015fe Emel Mesci d\u0131\u015f\u0131ndaki t\u00fcm oyuncular hayatlar\u0131nda ilk kez kamera kar\u015f\u0131s\u0131na \u00e7\u0131km\u0131\u015flard\u0131r. Film Fransa\u2019da olduk\u00e7a zor \u015fartlar alt\u0131nda \u00e7ekilmi\u015ftir. Ayr\u0131ca filmin ilgi \u00e7ekici bir di\u011fer \u00f6zelli\u011fi ise Zazaca\u2019n\u0131n sinema da ilk kez kullan\u0131ld\u0131\u011f\u0131 film olmas\u0131.<\/p>\n

\u2018Duvar\u2019 d\u00fcnya bas\u0131n\u0131nda yer bulmu\u015f, \u00f6nemli ele\u015ftirmenler taraf\u0131ndan \u2018sert ve ger\u00e7ek\u00e7ili\u011fin doruklar\u0131nda bir film\u2019 olarak yorumlanm\u0131\u015ft\u0131. \u2018Duvar\u2019 ayn\u0131 zamanda G\u00fcney\u2019in son filmi.<\/p>\n

Derleyen: HASAN C\u00d6MERT – ntvmsnbc<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Y\u0131lmaz G\u00fcney<\/p>\n

Y\u0131lmaz G\u00fcney… 25 y\u0131l \u00f6nce bug\u00fcn Paris’te hayat\u0131n\u0131 kaybeden usta sanat\u00e7\u0131 hala T\u00fcrk sinemas\u0131n\u0131n doruk noktas\u0131 kabul ediliyor. \u0130\u015fte G\u00fcney’in hayat\u0131ndan anekdotlar, \u00f6nemli filmleri ve Fato\u015f G\u00fcney’in 25 y\u0131l sonra yazd\u0131\u011f\u0131 mektup…<\/p>\n

\u0130STANBUL – Meksika’da bir adam hayat\u0131 hakk\u0131nda ne yapaca\u011f\u0131na karar vermemi\u015fken, bir g\u00fcn bir film <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-14470","post","type-post","status-publish","format-standard","hentry","category-kultur-sanat","odd"],"_links":{"self":[{"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=\/wp\/v2\/posts\/14470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14470"}],"version-history":[{"count":0,"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=\/wp\/v2\/posts\/14470\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14470"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.korhanyilmaz.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}